Gasda Scene Study
Instructors: Matthew Gasda, Asli Mumtas (TA)
4 session class // Sundays // January 12, 19, 26 February 2 // 3:00-5:00pm
For actors, but also useful to directors, this four week class will work on scenes from Matt's oeuvre, focusing on, but not limited to Dimes Square, Zoomers, Morning Journal, Quartet, Minotaur, and Ardor.
As we explore these plays, we will also discuss the broader themes and ideas that they explore, including identity, relationships, sexuality and power dynamics, and mortality. We will engage in in-depth discussions about the text, exploring how conceptual understandings of the texts can find objective correlates in performance. Actors will also explore acting in a "chamber" environment, honing in on the kinds of acting techniques that really sing in smaller, intimate spaces.
Instructors: Matthew Gasda, Asli Mumtas (TA)
4 session class // Sundays // January 12, 19, 26 February 2 // 3:00-5:00pm
For actors, but also useful to directors, this four week class will work on scenes from Matt's oeuvre, focusing on, but not limited to Dimes Square, Zoomers, Morning Journal, Quartet, Minotaur, and Ardor.
As we explore these plays, we will also discuss the broader themes and ideas that they explore, including identity, relationships, sexuality and power dynamics, and mortality. We will engage in in-depth discussions about the text, exploring how conceptual understandings of the texts can find objective correlates in performance. Actors will also explore acting in a "chamber" environment, honing in on the kinds of acting techniques that really sing in smaller, intimate spaces.
Instructors: Matthew Gasda, Asli Mumtas (TA)
4 session class // Sundays // January 12, 19, 26 February 2 // 3:00-5:00pm
For actors, but also useful to directors, this four week class will work on scenes from Matt's oeuvre, focusing on, but not limited to Dimes Square, Zoomers, Morning Journal, Quartet, Minotaur, and Ardor.
As we explore these plays, we will also discuss the broader themes and ideas that they explore, including identity, relationships, sexuality and power dynamics, and mortality. We will engage in in-depth discussions about the text, exploring how conceptual understandings of the texts can find objective correlates in performance. Actors will also explore acting in a "chamber" environment, honing in on the kinds of acting techniques that really sing in smaller, intimate spaces.
Matthew Gasda is a playwright and director. He is a founding member of The Brooklyn Center for Theatre Research.